Great for golden hour footage.ĭesigned to maximize color contrast, works great on footage of cars, urban environments, or anything that needs a boost of drama. Overall warmness that makes skin tones look alive. Greens are pushed cooler and highlights are kept in place. Bright highlights will be brought down to sit within the rest of the faded tone.Ĭool, teal shadows and yellow tones are pushed towards orange. Monacoĭesigned to enhance moody scenes and work well with darker or dimly lit footage. Works well with footage shot around dawn or dusk by creating nice pastel tones. Subtle look with warm highlights and midtones complimented by cool shadows. Pushing more stylized, this LUT is great for music videos or projects seeking a more stylized look. It looks great on shots that may need less red intensity while pushing shadow tones towards a cooler green. Less saturated and looks great on action footage. It also keeps blue tones saturated which looks nice on skies and water. Sitting neutral, this look adds a bit of life to skin while keeping shadows and highlights the same. Perfect on daytime exterior shots of people. They feature stylized looks with integrity for the skin so that it sits well within the overall grade. This category of LUTs were designed to work well with skin tones. It looks great on landscapes because of its slightly warm green tones, cooling the shadows which works well with trees or water and has just a touch of warmth in the highlights to help balance the image. It applies a smooth tone curve with soft highlight roll off that’s great for almost any scenario. The most neutral of this category and doesn’t push or pull the image in terms of white balance. Since this look leans a touch more on the cool/magenta side, it looks great on footage of people outside or as a natural base grade that isn’t too stylized. Works well on footage that was shot with natural lighting and neutral color temperature. Great for daytime or evening exteriors with punchy blues and greens and deep shadows. Skin tones still sit balanced within the grade. Pushes blue tones towards teal to create a nice color contrast.Ĭooler shadows and more subdued highlights. The look is overall warm with yellowish highlights and warmth in the shadows. Great for anything shot during golden hour whether interior or exterior. Inspired by popular looks in films and apply various levels of tinted highlights and shadows. If shooting in a Log profile, convert to Rec.709 first using a LUT or CST. Premiere Pro, DaVinci Resolve, FCP X, FilmoraĪny standard profile including Rec.709, Neutral, Natural, Cine, Cinelike V2, Eterna, Standard, IPP2 Medium Medium, DJI HLG, DJI D-LogM. Looks ranging from rich and vibrant to cool and moody.īeautiful tones without sacrificing image quality.Ĭonsistent and predictable colors with no surprises. Organized into 4 categories based on unique tone curves, each LUT is fine-tuned to bring the best out of any footage by applying pleasing contrast, enhancing skin tones, and creating cinematic color contrast. A versatile LUT pack for videographers looking to achieve classic, cinematic colors on their footage.Ī collection of popular color grading looks designed with versatility in mind.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |